9:2
2017
Special Issue: Neo-Victorian Sexploitation
Guest edited by Inmaculada Pineda Hernández and Maria Isabel Romero Ruiz
Contents | Pages | |
Introduction: Victorian and Neo-Victorian Sexploitation Inmaculada Pineda Hernández and Maria Isabel Romero Ruiz |
1-14 | |
Nomadic Transgender Identity: Patricia
Duncker’s James Miranda Barry and
Wesley Stace’s Misfortune Georges Letissier |
15-40 | |
Detective Fiction and Neo-Victorian
Sexploitation:Violence, Morality and Rescue Work in
Lee Jackson’s The Last Pleasure Garden (2007)
and Ripper Street’s ‘I Need Light’
(2012-16) Maria Isabel Romero Ruiz |
41-69 | |
Oscar Wilde and the Dead Hijra:
Sexploitation and Neo-Colonialism in Gyles Brandreth’s The
Murders at Reading Gaol Anhiti Patnaik |
70-96 | |
Inked In: The Feminist Politics of Tattooing in Sarah Hall’s The
Electric Michelangelo |
97-125 | |
Neo-Victorian Sexual De[f|v]iance: Incest, Adultery,
Breaking the Virginity Taboo and Female Sexual Agency in A. S. Byatt’s ‘Morpho
Eugenia’ Alexandra Cheira |
126-153 | |
A Conscious Failure to Pass: Dressing across Sexual and Racial
Borders in Neo-Victorian Fiction Daný Van Dam |
154-182 | |
Reviews Essays | ||
Brush and Quill, Painting and Prose: Victorian Impressions on
Neo-Victorian Surfaces:Review of Anna Maria Jones and Rebecca N.
Mitchell (eds.), Drawing on the Victorians: The
Palimpsest of Victorian and Neo-Victorian Graphic Texts Robert Finnigan |
183-188 | |
Our Brother’s Keepers: On Writing and Caretaking in the Brontë
Household: Review of To Walk Invisible: The Brontë
Sisters Shannon Scott |
189-196 | |
Announcements Page | 197-232 | |
Notes on Contributors | 233-235 |
Neo-Victorian Studies is hosted by Swansea University, Wales, UK