Vol. 3 No. 2 (2010): General Issue

Published: 2010-01-01

Articles

A Map of Tennysonian Misreading: Postmodern (Re)visions

Saverio Tomaiuolo

1-31
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“This picture always haunted me”: Dramatic Adaptations of The Woman in White

Christiana Salah

32-55
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Ophelia, the Singing Corpse: Pleasure and the Gaze in Where the Wild Roses Grow

Rachael Baitch Zeleny

56-72
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Norbu’s The Mandala of Sherlock Holmes: Neo-Victorian Occupations of the Past

Kristen Guest

73-95
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My Salieri Complex: An Untold Story of Griffin and Kemp (dedicated to H.G. Wells)

Marina Julia Neary

96-117
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“This garish parish called the music hall”: Rupert Holmes’s Drood as Dickensian Adaptation

Marc Napolitano

118-144
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Understanding the Literary Theme Park: Dickens World as Adaptation

Marty Gould, Rebecca N. Mitchell

145-171
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Putting the ‘Neo’ Back into Neo-Victorian: The Neo-Victorian Novel as Postmodern Revisionist Fiction

Samantha J. Carroll

172-205
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Reviews and Review Essays

A Neo-Victorian Smorgasbord: Review of Ann Heilmann and Mark Llewellyn’s Neo-Victorianism: The Victorians in the Twenty-First Century, 1990-2009

Marie-Luise Kohlke

206-217
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A Partial Panorama: Review of Louisa Hadley’s Neo-Victorian Fiction and Historical Narrative: The Victorians and Us

Christian Gutleben

218-224
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Slumming Fantasies: Review of Marina Julia Neary’s Wynfield’s Kingdom

Marie-Luise Kohlke

225-231
- PDF