Vol. 8 No. 2 (2016): General Issue

Published: 2016-01-01

Articles

Refashioning the Past: Technology, Nostalgia, and (Neo-)Victorian Knitting Practices

Sherrin Berezowsky

1-27
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Steampunk as a Postindustrial Aesthetic: “All that is solid melts in air”

Martin Danahay

28-56
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“The Dark Descent”: Amnesia’s Debt to Victorian Physiological Psychology

J. Stephen Addcox

57-83
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“The future isn’t what you thought”: Evolution, Degradation, and Scientific Romance in Nicholas Meyer’s Time After Time (1979)

Harvey O'Brien

84-105
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The Aesthetics of Filth in Sweet Thames, The Great Stink and The Crimson Petal and The White

Saviero Tomaiuolo

106-135
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Of Mice and Men: Eve Titus’s Basil of Baker Street and Disney’s The Great Mouse Detective as Holmesian Adaptations

Marc Napolitano

136-170
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The Biofiction of a Novel: Sheila Kohler’s Becoming Jane Eyre

Didac Llorens-Cubedo

171-199
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“Definitely an Author to Watch”:Rosie Garland on the (Neo-)Victorian Freak

Lin Pettersson

200-223
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Reviews and Review Essays

Projecting Neo-Victorianism: Review of Nadine Boehm-Schnitker and Susanne Gruss, Neo-Victorian Literature and Culture: Immersions and Revisitations

Kate Mitchell

224-242
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Bloody Boots in St Ann’s Square: Review of Rona Munro’s Scuttlers

Benjamin Poore

243-249
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Resoundingly Neo-Victorian Biofiction in Paint: Review of Anthony Rhys’s Notorious

Marie-Luise Kohlke

250-271
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