Vol. 14 No. 1 (2022): General Issue 2021/2022

Published: 2024-06-07

Articles

Literary Dialect in Sarah Waters’s Fingersmith (2002)

Suzanne Pickles

1-27
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Fonty/Fontane: Neo-Victorian Simulation in Too Far Afield by Günter Grass

Anja Gerigk

28-50
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Retro/Futuristic Media Panics: Paper, Glass, and Bodies in Gordon Dahlquist’s Glass Books Trilogy

Sabina Fazli

51-87
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Ecology and Animal Performativity in Jon Favreau’s The Jungle Book

Erin Noelle McNulty

88-112
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The Mystery of History: To Say Nothing of the Dog as Neo-Victorian Fiction

Ann F. Howey

113-134
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Reimagining Violence in the Brontë Myth: “Tales of Positive Violence and Crime” in Neo-Victorian Brontë Afterlives

Sophie Franklin

135-165
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Quaint Empires: Japan, Aesthetics, and Imperial Politics in the Novels of Natasha Pulley and Lian Hearn

Helena Esser

166-189
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Transtemporality and Transmemory in Beforeigners: Or, “Jack the Ripper has timeigrated”, Again

Lucyna Krawczyk-Żywko

190-211
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Chase Berggrun’s R E D and Transfeminist Erasure: Uncovering a “Queer Tongue” in Dracula

Eleanor Reeds

212-231
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Reviews and Review Essays

(Re-)Writing Nineteenth-Century Lives: Review of Marie-Luise Kohlke and Christian Gutleben, Neo-Victorian Biofiction: Reimagining Nineteenth-Century Historical Subjects

Danielle Mariann Dove

232-245
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There Ain’t No Black in (Neo-)Victorianism? Oh Yes, There Is!: Review of Felipe Espinoza Garrido, Marlena Tronicke and Julian Wacker (eds.), Black Neo-Victoriana

Nadine Boehm-Schnitker

246-260
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The Weaponisation of the Language of Oppression: Review of R. F. Kuang, Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution

Marie-Luise Kohlke

261-280
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