Vol. 13 No. 1 (2020): Special Issue: Queering Neo-Victorianism Beyond Sarah Waters

Guest Editors: Caroline Koegler & Marlena Tronicke

Published: 2023-06-22

Articles

Neo-Victorianism’s Queer Potentiality: Livability and Intersectional Imaginaries

Caroline Koegler, Marlena Tronicke

1-43
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"An Unusual, Trusting Sort of Girl": Queering Compulsory Able-Mindedness in Neo-Victorian Fiction

Helen Davies

44-74
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“Pronouns are problematic”: The Trans* Body and Gender Theory; Or, Revisiting the Neo-Victorian Wo/Man

Claire O’Callaghan

75-99
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Mad, Bad and Dangerous: Queering Lizzie Borden in Lizzie (2018)

Barbara Braid

100-124
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Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister

Sarah E. Maier, Rachel M. Friars

125-152
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Becoming “Better Monsters”: Queer Body Horror in InSEXts

Felicitas Sophie van Laak

153-185
Disciplining Feminine Performing Bodies in Stephen Norrington’s The League of Extraordinary Gentlemen (2003)

Phillip Zapkin

186-211
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Queerness in the Neo-Victorian Empire: Sexuality, Race, and the Limits of Self-Reflexivity in Carnival Row and The Terror

Felipe Espinoza Garrido

212-241
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Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century

Caroline Duvezin-Caubet

242-269
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Reviews and Review Essays

Exploring the Victorian Imaginarium: Review of Antonija Primorac’s Neo-Victorianism on Screen: Postfeminism and Contemporary Adaptations of Victorian Women

Chris Louttit

270-279
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Sensational Victorian Afterlives:Review of Jessica Cox’s Neo-Victorianism and Sensation Fiction

Denise Burkhard

280-291
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“No doubt you think this will be one of those slave histories”: Review of Sara Collins’s The Confessions of Frannie Langton (2019)

Lewi Mondal

292-300
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